As she realizes that she is trapped in her life, Helen (Alice Winslow
'08) lets out a scream that is eclipsed by a factory whistle. Sophie
Treadwell's Machinal, performed by University Theater during
Family Weekend in October, is an examination of society's expectations
for women and what happens when one chooses to break out of the imposed
formula.
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As the echoes of stage construction subside, the cast forms a huddle and starts
to bounce, chanting "Bal-con-y! Bal-con-y!" (as an appeal "to the `balcony
gods' that we would fill all the seats," Sian-Pierre Regis '06 later
explained). One by one, with building intensity, each member breaks off, and
continues to pogo, still chanting. The students are revved up to perform
Machinal, based on the true story of Ruth Snyder and the events that led
to her execution in 1928.
The play's urban environment amplifies the machine-like qualities of
"successful" human beings. Often tempo and pace are marked by rhythmic
repetitions in dialogue or sound, such as typewriters. Helen, the main
character, struggles to conform to society's expectations of women and
ultimately lashes out by killing her husband.
"For students, there's a lot there to think about, and the play draws on
studies in and out of the theater department in interesting ways," said
director Sarah Bay-Cheng, assistant professor of English and theater. She noted
that University Theater's production of Machinal fit well with several
fall academic classes, including one Core course she taught, The Challenge of
Modernity.
For more, visit Colgate
In the News Archives (Oct. 20) at
www.colgate.edu.
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